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6. Selecting Subplots
By convention, a story is not a novel unless it has at least one subplot. Without a subplot, a story is generally considered a novella, a short novel with a single narrative if you will. Subplots are secondary stories to the main plot line. To be successful, they must influence or contribute to the main…
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6. Selecting Subplots
By convention, a story is not a novel unless it has at least one subplot. Without a subplot, a story is generally considered a novella, a short novel with a single narrative if you will. Subplots are secondary stories to the main plot line. To be successful, they must influence or contribute to the main…
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5. Themes
I deliberately have delayed discussing themes. This is for a reason: You do not want to let theme drive your story or your novel will be sanctimonious. It works better to let themes arise from your story. In other words, permit the themes to emerge naturally from the plot and main characters, rather than imposing…
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4. Making Story Ideas Working Stories
There are two basic approaches to writing a novel. One is the outline approach. (Full disclosure: I am an outliner.) The other is the “pantser” approach, short for writing by the seat of your pants. In other words, you have a starting situation and some ideas regarding the characters, you start writing and see where…
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3. Developing Characters
At this stage, where you have a story idea but not a fully formed plot, you need to consider characters. One challenge with a novel is interweaving plot, characters, subplots and themes. Adjustments to one frequently requires adjustments to the others. One must be fluid and allow changes at every point. You may have to let parts…
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This is a series of posts about how to write a novel.